DYMO LABEL MAKER REVIEW MOVIE

Siddhant Kapoor is barely convincing as Dawood, and the movie does him no favours by saddling him with an unwieldy wig and numerous Caucasian escorts. Priyanka SetiaвЂ™s tough prosecutor emerges as the best actor in a cast heaving with pantomime performances. The judge also delivers a verdict on the movie itself: вЂњEnough is enough!вЂќ

The avuncular judge overseeing the proceedings tires of Roshni SatamвЂ™s strictly non-legal arguments against Haseena and asks, are we writing a novel here? This is a movie that is aware of its redundancy. Haseena glowers from the dock, but since the movie is ambiguous about her actual role, the courtroom drama is an unintentional farce. In a courtroom hearing that frames the narrative, public prosecutor Roshni Satam (Priyanka Setia) tries hard to prove that Haseena is not only an arbitrator, but also the local representative of her brotherвЂ™s multi-crore enterprise. Haseena gets her chance to sit in a chair, meaningfully cross her legs, and settle various disputes. Married to strapping restaurateur Ibrahim Parkar (Ankur Bhatia), Haseena is content playing the model wife and mother until circumstances compel her to use that old line to get to the head of the queue: вЂњDo you know who I am?вЂќДЄt the end of 123 minutes, the question remains unanswered.ДЄfter the March 12, 1993, bomb blasts in Mumbai, which are shown as being engineered single-handedly by Dawood without the help of the Pakistani intelligence services, the fugitive donвЂ™s ability to run his empire in India from afar is hampered. Suresh NairвЂ™s screenplay assumes that nobody in the audience has watched a Dawood Ibrahim origins story before, and re-runs the by-now-familar narrative of how Ibrahim overcame the beatings meted out by his disciplinarian (and honest) police constable father to assume power in the Mumbai underworld by slaughtering his opponents. Dawood is never named in the movie despite being identified in the closing credits, and is only referred to as вЂњBhaiвЂќ. Real-life siblings Shraddha and Siddhant Kapoor play the brother and sister whose different paths вЂ“ domesticity versus crime вЂ“ intersect over the years. Haseena Parkar completely flubs the opportunity to understand how women come to assume positions of power in the underworld, but given the track record of its director and his previously overblown dramas that glorify various crime lords, thatвЂ™s hardly surprising. Here is one about his sister Haseena Parkar, who allegedly ran the fugitive donвЂ™s criminal rackets in Mumbai in the 1990s and 2000s.ДЄpoorva LakhiaвЂ™s latest film depicts Parkar as an under-educated housewife who is guilty by association, and who becomes a gangland godmother because of circumstances and police harassment. There have already been many movies about gangster Dawood Ibrahim. Watch: Heavy rainfall returns to Chennai after a brief respite, leading to waterlogged streets again.вЂI am not frightened, but I worry for my familyвЂ™: Watch journalist Rana Ayyub on BBC Hard Talk.

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Dymo label maker review